Download PDF by Jennifer Crusie: Anyone But You
By Jennifer Crusie
Half basset, half beagle, all Cupid...
For Nina Askew, turning 40 ability freedom--from the ex-husband, freedom from their stuffy suburban domestic, freedom to target what she wishes for a transformation. And what she desires is whatever her ex consistently vetoed--a dog. A bouncy, lovely puppy.
Instead she gets...Fred.
Overweight, middle-aged, a section stinky and clearly depressed, Fred is light-years from perky. yet he does be able to placed Nina within the course of Alex Moore, her lovely, younger-by-a-decade neighbor.
Alex turns out perfect--he's an attractive, doubtless sane, unusually unmarried E.R. doctor--but the age hole convinces Nina that anybody yet Alex will be greater dating fabric. yet with each silver-haired stiff she dates, the extra she suspects it's the younger, dog-loving document she desires to sit down and remain!
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Additional info for Anyone But You
The inversion pattern we find in French (15), however, appears to have peculiar properties. " Inversion in French is not per se very different from inversion in English: it is restricted to root contexts (16), and it does not take place when the interrogative word is the subject (17). (16) a. b. (17) a. b. " Marie se demande qui Jean aime Marie SE wonders who Jean loves *Aime qui Marie? " Qui aime Marie? who loves Marie The most intriguing property of French inversion is the presence of two subjects: Marie and the clitic pronoun elle in (15).
17) a. b. " Marie se demande qui Jean aime Marie SE wonders who Jean loves *Aime qui Marie? " Qui aime Marie? who loves Marie The most intriguing property of French inversion is the presence of two subjects: Marie and the clitic pronoun elle in (15). Various attempts have been made in the generative literature since Kayne (1972) (see, especially, Kayne 1983, 1986, Déprez 1990, and Rizzi & Roberts 1989), but I think it is fair to say that none of them are satisfactory, especially when looked at from a minimalist point of view: the machinery needed appears as complex as the phenomenon itself.
2 The figures presented in this section are based on a review of Forsgren (1978), Wilmet (1980), and Larsson (1993), whose corpora are derived from written French texts in a variety of genres. , that the unexpected pre- or post-N position of the adjective might only - or normally - occur as part of a fixed expression, such as pleine lune 'full moon'). Nevertheless, the frequency figures, supplemented by research using the ARTFL database, suffice to establish a much greater amount of variability than is normally discussed in the classroom.
Anyone But You by Jennifer Crusie