Download e-book for kindle: Analyzing Digital Fiction by Alice Bell, Astrid Ensslin, Hans Rustad
By Alice Bell, Astrid Ensslin, Hans Rustad
Written for and skim on a working laptop or computer display, electronic fiction pursues its verbal, discursive and conceptual complexity in the course of the electronic medium. it truly is fiction whose constitution, shape and which means are dictated through the electronic context within which it's produced and calls for analytical techniques which are delicate to its prestige as a electronic artifact. Analyzing electronic Fiction offers a suite of pioneering analyses in response to replicable methodological frameworks. Chapters comprise analyses of hypertext fiction, Flash fiction, Twitter fiction and videogames with techniques taken from narratology, stylistics, semiotics and ludology. Essays suggest ways that electronic environments can extend, problem and try out the boundaries of literary theories that have, till lately, predominantly been in response to types and analyses of print texts.
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Additional resources for Analyzing Digital Fiction
If the text includes image and/or sound, these elements can certainly orchestrate focalizations in an expressly filmic manner—be they corresponding, contradicting, or much less direct and determinate in relation to the textual channel. But given the presence—and, indeed, primacy—of the textual channel, the effect is invariably more layered and complex. Even in some of the earliest segments of Inanimate Alice, we find instances of this complexity.
I will further argue that perspective in digital fiction is inevitably informed by the movements of the interface, or what is best described as a process of “cybernetic narration”. DEFAMILIARIZING CRITICAL VIEWS Perspective has long been a preoccupation of literary theory given that it guides the reader’s understanding of the ethical relations that inhere in storyworlds and our identification with or alienation from certain characters or narrators. 4 Over half a century later, Frank’s (1945) “Spatial Form in Modern Literature” marks the beginning of a more concentrated emphasis on the sort of perspectives readers can glean from a text’s formal structure.
26 Alice Bell With the issues discussed above in mind, this essay has two aims. First it will show how the means of navigation and representation in one particular Web-based hypertext fiction—Lance Olsen and Tim Guthrie’s 10:01—allow metalepses to manifest via a range of nonverbal modes. More specifically, using possible worlds theory, I will show that sound effects, external links, and the cursor that the reader uses to select links are all metaleptic because they suggest that entities from the fictional world can intrude into the actual world or vice-versa.
Analyzing Digital Fiction by Alice Bell, Astrid Ensslin, Hans Rustad