Read e-book online A companion to satire : ancient to modern PDF
By Ruben Quintero
This choice of twenty-nine unique essays, surveys satire from its emergence in Western literature to the present.
- Tracks satire from its first appearances within the prophetic books of the previous testomony during the Renaissance and the English culture in satire to Michael Moore’s satirical motion picture Fahrenheit 9/11.
- Highlights the $64000 impression of the Bible within the literary and cultural improvement of Western satire.
- Focused typically on significant classical and ecu impacts on and works of English satire, but additionally explores the complicated and fertile cultural cross-semination in the culture of literary satire.
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Extra info for A companion to satire : ancient to modern
Northrop Frye observes that in second-phase satire or irony, the conventions of art can themselves be ridiculed. The complete title and author identification of Kurt Vonnegut’s Slaughterhouse-Five (1969) – over two dozen lines long – is certainly one such instance, as is his division of the less than two hundred pages of Cat’s Cradle (1963) into one hundred and twenty-seven chapters. The designation of chapter becomes hilariously meaningless. In ancient biblical satire, no artistic conventions are ridiculed.
Prototypes of the Roman satirist figure contribute important techniques to the evolving art of blame, Classical Satire 33 demonstrating that the satirist must oscillate between aggressive and vulnerable stances, that reiteration of shared values in mockery can be more successful than defiance, that calculated self-referential talk can be employed to manipulate the audience, and that indirection and allusion can speak as loudly as direct criticism. These lessons are learned and absorbed into satire as the occasion and purpose of literary abuse change.
But even their distinctive art is the product of centuries of experimentation by Greek and Roman authors, who articulated key satiric concerns, dilemmas, and strategies. Accordingly, the present chapter will avoid the two extremes of classification, and present a diachronic story of satire’s origins. We may begin by cracking open the restricted definition of satire to find a more expansive and theoretical model lurking within. In claiming satire as a Roman invention, Quintilian relied on a formalist notion of genre shared by many ancient critics.
A companion to satire : ancient to modern by Ruben Quintero